Summer Sale

First published in French in 1994, quickly acclaimed as a photobook classic and since republished and enhanced, True Stories returns for the sixth time, gathering a series of short autobiographical texts and photos by acclaimed French artist Sophie Calle, this time with four new tales. Calle's projects have frequently drawn on episodes from her own life, but this book―part visual memoir, part meditation on the resonances of photographs and belongings―is as close as she has come to producing an autobiography, albeit one highly poetical and fragmentary, as is characteristic of her work. The tales―never longer than a page―are by turns lighthearted, humorous, serious, dramatic or cruel. Each is accompanied by an image; each offers a fragment of life.

The slim, portable volume is divided into sections: the first is composed of various reflections on objects such as a shoe, a postcard or "the breasts"; the second, "The Husband," of recollections of episodes from Calle's first marriage; and the third gathers a variety of autobiographical recollections. Calle herself is the author, narrator and protagonist of her stories and photography; her words are somber, chosen precisely and carefully. One of the 21st century's foremost artists, Calle here offers up her own story―childhood, marriage, sex, death―with brilliant humor, insight and pleasure.

PUBLISHER: ACTES SUD

BOOK FORMAT: Hardcover, 4 x 7.5 in. / 112 pgs / 51 color.

PUBLISHING STATUS: Pub Date 5/22/2018

DISTRIBUTION: D.A.P. Exclusive
Catalog: FALL 2018 p. 40   

ISBN: 9782330093037 

The moon has long furnished humankind with an artistic icon, an image of longing and object of scientific inquiry. Encompassing art, film, literature, architecture, design, natural history and historical objects, and published on the occasion of the 50th anniversary of the first manned landing (July 20, 1969), The Moonsurveys the iconography of the moon, from Romantic landscape paintings to space-age art. It takes the 1969 landing as a thematic fulcrum and a culmination of the deep-rooted cultural conceptions invested in the space race in the 1960s, from David Bowie to Disney.

The book also accounts for the science of the moon throughout the ages, from Galileo to NASA, addressing the many lunar myths that have existed throughout time. Also explored here is moonlight, an important theme in the Romantic nocturnal landscapes of Caspar David Friedrich, J.C. Dahl and Carl Julius von Leypold. Another powerful artistic genealogy is associated with science fiction, a genre that has on occasion influenced space programs: Jules Verne's From the Earth to the Moon (1865), for instance, famously inspired NASA's Apollo programs. Film pioneers such as Georges Méliès and Fritz Lang created cinematic lunar voyages, and in the 1930s, surrealist artists such as Joseph Cornell, Salvador Dalí and Max Ernst explored the moonlit landscape as psychological allegory. Later, during the Cold War, superpowers on both sides of the Iron Curtain worked closely with artists to orchestrate and interpret the space race: Robert Rauschenberg, for example, was one of eight artists invited by NASA to witness Apollo 11, while artists in the Soviet Union played a central role in building the cult of the cosmonaut.

The Moon looks at all these lunar themes and myths, in a thrilling and inspirational gathering for anyone who has felt the moon's pull on their imagination.

PUBLISHER: LOUISIANA MUSEUM OF MODERN ART

BOOK FORMAT: Hardcover, 8.5 x 10.25 in. / 128 pgs / 150 color / 50 bw.

PUBLISHING STATUS: Pub Date 10/23/2018

DISTRIBUTION: D.A.P. Exclusive
Catalog: FALL 2018 p. 5   

ISBN: 9788793659087

Sanmao: author, adventurer, pioneer. Born in China in 1943, she moved from Chongqing to Taiwan, Spain to Germany, the Canary Islands to Central America, and, for several years in the 1970s, to the Sahara.

Leafing through the pages of National Geographic as a young girl growing up in Taiwan, Sanmao became enchanted by the infinite and wonderous landscape of the Sahara. Years later, in 1974, she sets out for the Spanish desert territory of El Aaiún in hopes of becoming the first female explorer to cross the hauntingly beautiful expanse. Her boyfriend José would have to wait, or join her. He packs his things, leaves Madrid, and asks Sanmao to marry him.

Stories of the Sahara invites us into Sanmao's extraordinary life in the desert: her experiences of love and loss, freedom and peril, all told with a voice as spirited as it is timeless. At a period when China was beginning to look beyond its borders, Sanmao fired the imagination of millions and inspired a new generation. 

Translated by Mike Fu.

Material: Paperback

Product Dimensions: 234 x 153 mm

Publisher: Bloomsbury Publishing, 1st Edition, April 2, 2020

ISBN: 9781408881880

The long-awaited cookbook from an iconic New York restaurant, revealing never-before-published recipes

AN EATER BEST COOKBOOK OF FALL 2020
A NEW YORK TIMES BEST COOKBOOK OF FALL 2020
A BALTIMORE SUN BEST COOKBOOK OF FALL 2020
A ROBB REPORT BEST COOKBOOK OF FALL 2020
A FOOD & WINE FALL 20 COOKBOOK PICK
A WSJ MAGAZINE BEST-DESIGNED ITEM

Since its humble opening in 2005, Xi’an Famous Foods has expanded from one stall in Flushing to 14 locations in Manhattan, Brooklyn, and Queens. CEO Jason Wang divulges the untold story of how this empire came to be, alongside the never-before-published recipes that helped create this New York City icon. From heavenly ribbons of liang pi doused in a bright vinegar sauce to flatbread filled with caramelized pork to cumin lamb over hand-pulled Biang Biang noodles, this cookbook helps home cooks make the dishes that fans of Xi’an Famous Foods line up for while also exploring the vibrant cuisine and culture of Xi’an.

Transporting readers to the streets of Xi’an and the kitchens of New York’s Chinatown, Xi’an Famous Foods is the cookbook that fans of Xi’an Famous Foods have been waiting for.

Product Details:

For this book, there are two editions. One is paperback, and the other one is hardcover. A few images repeats in these two. 

Artist's statement:

This project is about elderly woman wearing facekini on the beach. Facekini is something like bikini but is covering the face.

Many people may think these images are funny. Sure, humor is a part of my intention, but it’s far from my ultimate purpose. In this project, I try to explore a kind of self-gazing with some surreal, dramatic, and humorous portraits of Chinese. This is very similar to the current situation in China, where society is full of surreal landscape. This project attempts to document these fleeting things.

These masks are hand-made by themselves, which are made of tattered vest, rag or swimsuits, and even cloth from useless pants, so you won't find one same mask on the beach.

Each facekini consists of different fabric materials. You may think it's very artistic. They will consider whether the mask goes well with their swimsuit.

In fact, they also know that others may find it ridiculous and strange. But they say the main function of facekini is for UV protection, as well as the offshore pollution in recent years. And more jellyfish attack human. It can avoid getting hurt when wearing a facekini. It also represents another layer of meaning: if you look around the beach, young girls don't wear facekini, men neither. Only middle-aged and elderly women wear mask. So, I think another reason is that these middle-aged and elderly women are ashamed of exposing their aging and deformed bodies. Wearing mask will make them much more comfortable and confident. I still don't know what these people I've photographed look like.

Author: Peng Yangjun

Format: 

150mm X 190mm X 25mm, 252 pages, paperback

 There are two editions of Facekini - paperback and hardcover. 

Artist's statement:

This project is about elderly woman wearing facekini on the beach. Facekini is something like bikini but is covering the face.

Many people may think these images are funny. Sure, humor is a part of my intention, but it’s far from my ultimate purpose. In this project, I try to explore a kind of self-gazing with some surreal, dramatic, and humorous portraits of Chinese. This is very similar to the current situation in China, where society is full of surreal landscape. This project attempts to document these fleeting things.

These masks are hand-made by themselves, which are made of tattered vest, rag or swimsuits, and even cloth from useless pants, so you won't find one same mask on the beach.

Each facekini consists of different fabric materials. You may think it's very artistic. They will consider whether the mask goes well with their swimsuit.

In fact, they also know that others may find it ridiculous and strange. But they say the main function of facekini is for UV protection, as well as the offshore pollution in recent years. And more jellyfish attack human. It can avoid getting hurt when wearing a facekini. It also represents another layer of meaning: if you look around the beach, young girls don't wear facekini, men neither. Only middle-aged and elderly women wear mask. So, I think another reason is that these middle-aged and elderly women are ashamed of exposing their aging and deformed bodies. Wearing mask will make them much more comfortable and confident. I still don't know what these people I've photographed look like.

Artist: Peng Yangjun 彭杨军

• 225mm X 330mm X 10mm,
• 80 pages
• Signed by artist